This triangle bag is made from Taiwanese cotton and was inspired by the structure of the heavy rice bags that were handed down in eastern Taiwan during the Japanese colonial period.
KAMARO'AN's proprietary thick canvas fabric has a water-repellent coating on the front and a special coating on the back for increased durability.
Dioscorea cirrhosa, a plant in the Dioscorea genus with a reddish- brown root-like interior and betel nut, used by the Amis people of Taiwan for chewing tobacco. ) Each piece is hand-dyed in the atelier using dyes from local tribes, such as the fruit of the betel palm, taking a lot of time and effort .
Shuran is It has long been used to dye fishing nets, making the hemp fibres stronger and less visible in the ocean.
Betel nut​ ) is a meaningful medium for the Panca, and sacrificial, social and love rituals involve the areca nut.
Betel nuts are used to dye clothes, build houses, and even refresh chewing gum.
The handle is made of vegetable tanned Italian cowhide, giving it a smooth finish while retaining the natural full grain that gives it a unique texture and feel.
Naturally dyed collections are time-consuming to create, but they are meaningful every time the colors of the earth emerge and people smile at the beautiful colors.

-KAMARO'AN-
NATURAL-DYED TRIANGLE BAG 36
Color: PETAL-PINK
SIZE : 34cm x 25cm x 10.5cm
MATERIAL: TAIWAN COTTON CANVAS / ITALIAN VEGETABLE TANNED LEATHER
MADE IN TAIWAN
ATTENTION: Natural dyed colors have unevenness.
Enjoy the different textures of each piece.

《KAMARO'AN》
A tribe is a collective name for people that has become established as a way of describing different ethnic groups.
It begins as a small community and gradually expands into a city, kingdom, empire, and then globalization.
The world is gradually becoming homogenized. People share the same modern system and pursue universal values. Fortunately, Taiwan still has a small number of indigenous peoples who are dedicated to passing on and cherishing their unique values, traditional culture, and craft techniques, while accumulating ethnic knowledge.
However, like many rural areas around the world, areas with long-standing traditions and culture are shrinking as younger generations move to the cities, leaving them with no successors and resulting in a loss of vitality and creativity in their communities and economies.
He inspires people to look back at the ordinary objects that have been familiar to generations and seek out the original purity and timeless essence that these objects reflect.
Based on the strong belief that it is objects, rather than copywriting, interviews or campaigns, that truly reveal the culture and values of a region, KAMARO'AN was launched in 2013 as a project by a team of two industrial designers and one indigenous culture researcher to explore the possibility of embodying traditional crafts and their cultural values in product design.
It has been established as a brand since 2015. Inspired by Taiwan's indigenous culture, KAMARO'AN pursues delicate craftsmanship with clean designs, working closely with local artisans and resources, creating jobs for young people with indigenous backgrounds, and striving to support and preserve local traditions and working conditions.
The name KAMARO'AN comes from the idea of valuing handmade everyday items that reflect the way of life in harmony with nature of the Amis people, one of Taiwan's indigenous peoples, known as Pangcah, and the company's commitment to flashy yet practical weaving methods.
KAMARO'AN celebrates the uniqueness, timeless beauty and precision that hands can bring to life.